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Adriaen van de Venne
Adriaen Pietersz van de Venne (1589 – 12 November 1662), was a versatile Dutch Golden Age painter of allegories, genre subjects and portraits, as well as a miniaturist, book-illustrator and designer of political satires and a versifier.
==Biography==
Van de Venne was born in Delft. According to Houbraken he learned Latin in Leiden. He learned to paint from the master goldsmith and painter Simon de Valk, and afterwards learned engraving from Jeronimus van Diest, a good painter of grisailles.〔Cornelis de Bie, ''Het Gulden Cabinet'' 1661, p 235〕〔 (Adriaan van de Venne biography ) in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature〕 He then moved to Middelburg in 1614 where he was influenced by Jan Brueghel the Elder and Pieter Brueghel the Elder. His political painting ''Fishers of men'', 1614, is an ironic commentary on the Catholic and Protestant troubles of the Eighty Years War that split the border between the Northern from the Southern Netherlands along the Schelde river, very close to his home in Middleburg. When he painted this picture, the Twelve Years' Truce was in effect since 1609. The influence of Jan Brueghel the Elder is particularly evident in this allegory of religious fanaticism.〔Noted, for instance, by Martin Royalton-Kisch, reviewing ''Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden'' by Annelies Plokker (Leuven 1982), in ''The Burlington Magazine'' 128, No. 995 (February 1986:152.〕
From 1620 until his death van de Venne made many grisailles and engravings of genre subjects, featuring peasants, beggars, thieves and fools as illustrations of current proverbs and sayings, mostly by Jacob Cats.〔Noted in the preface by K. Porteman to Annelies Plokker, ''Adriaen Pietersz. Van de Venne (1589-1662), de grisailles met spreukbanden'' (1984).〕 This work made him famous during his lifetime, and remained popular throughout the 18th century after his death.
Van de Venne also worked as a book illustrator and print designer. Van de Venne moved to The Hague and joined the Guild of Saint Luke in 1625, taking the position of dean in 1637. He was a founding member of ''Confrerie Pictura'', a group bent on improving the independent status and social position of the artist in Dutch society by encouraging a more academic approach to the arts. He died in The Hague.
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